Our art gallery is in the store's atrium, directly above the entrance. We've got seven white walls and lights to point at them.
We show new work on the first Friday of each month. See our Facebook events feed for the latest information.
Interested in submitting your work? Send photos of the type of work you would like to show, along with a short description, to gallery director Xena Colby: firstname.lastname@example.org
On view starting December 2: IMPRINTS AND OTHER FUGITIVE FORMS, an exhibition from South City's multitalented Kristin Cassidy. Her sculptures and assemblages are made from wildly mixed media—plaster, rust, Mississippi River artifacts, maybe something from her rock collection. IMPRINTS will feature new works, including two and three-dimensional pieces, that expand on Cassidy's longstanding fascination with organic forms and processes. The gallery will grow to fill much of our second floor for this expansive, two-month exhibition.
More show information coming soon.
November 2016—STRANGE CHEMISTRY. Zachary Webb exhibited his black and white, fully analog photography, including finished work in frames and lots of castoffs, darkroom mistakes, and experiments on paper.
October 2016—THE SACRED AND PROFANE. A semi-anonymous local zinester, poet, and collage artist brought his Pop Art-inflected, partially deranged, mechanically reproduced work to the gallery. @entartetemusik
September 2016—ARCHAIC ALGEBRA AND FUTURE ARCHAEOLOGIES. St. Louis artist Shawn Wedel calls his large-scale abstract paintings "future archaeologies." They're abstract forms that evoke landscapes and alien maps, executed in a bold style that uses texture, transparency, and color to create a specific sense of place. If you missed the show, you can see photos here.
August 2016—GIVE AND TAKE. At South City Art Supply's one-year anniversary show, attendees were able to add their artwork, created on the spot, to pieces contributed ahead of time by friends of the store. Anyone who gave a piece got to take one—we mailed each participant a piece from the show at random.
July 2016—SOLITUDE AND REVERENCE. Isaac Richardson's contemplative photo series used images of nature to explore the perceptual and emotional effects of losing oneself in a landscape. His spontaneous images, many captured very close to our home in Missouri, possess a sense of scale and complexity that can make them feel both familiar and otherworldly. See the series on Richardson's website.
June 2016—ARTIST SHOWCASE #2. Our second group show included some of our favorite local artists and highlighted abstract, organic work in a number of two-dimensional media.
May 2016—ERIC MAYER. Inspired by underground comics, pop culture, and monsters, Eric Mayer works in a variety of media with a distinctive voice. He stuffed the second floor with paintings, drawings, prints, buttons, and a papier-mâché eyeball you can put over your head.
April 2016—IN THE BUSH. Our April show, the solo debut of St. Louis artist Emily Ann Bush, collected Bush's impressionistic oil paintings on glass (often salvaged from our great City's alleyways and junk shops). Just outside the atrium, we displayed the artist's bold, colorful drawings and sketches.
March 2016—RECURSIVE IDLE. Our artist-in-residence Benjamin Bradshaw's solo show is a sentimental favorite of ours. The artist was still cutting MDF panels and painting in the days before the show, and we worked overtime to catalogue and tag over 130 paintings, drawings, and sketches. Bradshaw's elaborately detailed, organic forms were on every wall, and we projected his glitchy animations on a large screen.
February 2016—MISS CUTTENCLIP. Collage artist Greg Chambers (alias Miss Cuttenclip) exhibited dozens of his mixed media pieces and prints in handmade frames. Perhaps our high-water mark for gallery density, this show included a wide range of subjects and styles, with surprises and juxtapositions around every corner.
December 2015—COMING TOGETHER. This show from Columbia, Missouri artist Mike Anthony was an exhibition of the artist's new paintings. The abstract, emotional works we showed were executed in unconventional media, including spray paint on canvas.
October 2015—SPOOKSVILLA. Los Angeles-based artist and certified badass Shahrzad Ghadjar hung her pen and ink drawings in our gallery for our first solo show (and hers). Her simple medium—fine-tip pens in black and sometimes red—complements her drawing style, which relies on symbol and gesture. And her twisted choice of subjects and themes were a nice contrast to our new white walls.
September 2015—ARTIST SHOWCASE #1. This show, put together by our friends and neighbors, was a joyful, last-minute affair. We scraped together some clamp lights for the new gallery and got some beer, and everyone got to see an awesome array of South City talent. Many of the artists who participated were also part of ARTIST SHOWCASE #2, our June 2016 group show.